Peterhof

The dominant natural feature of Peterhof is a sixteen-metre-high bluff lying less than a hundred metres from the shore. The so-called Lower Gardens , at 1.02 km² comprising the better part of Peterhof's land area, are confined between this bluff and the shore, stretching east and west for roughly 200 metres. The majority of Peterhof's fountains are contained here, as are several small palaces and outbuildings. East of the Lower Gardens lies the Alexandria Park with 19th-century Gothic Revivalstructures such as the Kapella.
Atop the bluff, near the middle of the Lower Gardens, stands the Grand Palace. Behind (south) of it are the comparatively small Upper Gardens Upon the bluff's face below the Palace is the Grand Cascade (Bolshoi Kaskad). This and the Grand Palace are the centrepiece of the entire complex. At its foot begins the Sea Channel (Morskoi Kanal), one of the most extensive waterworks of the Baroque period, which bisects the Lower Gardens.

The Grand Palace

The largest of Peterhof's palaces looks truly imposing when seen from the Lower or Upper Gardens, but in fact it is quite narrow and not overly large. Of its approximately thirty rooms, several deserve mention.
The Chesma Hall is decorated with twelve large paintings of the Battle of Chesma, a stunning naval victory of the Russo-Turkish War, 1768-1774. These were painted between 1771 and 1773 by the German artist Jacob Philipp Hackert. His first renderings of the great battle scenes were criticised by witnesses as not showing realistically the effect of exploding ships — the flying timbers, great flames, smoke, and fireballs. Catherine II assisted the artist by exploding a frigate in the harbour of Livorno, Italy, for the benefit of Hackert, who had never seen a naval battle first-hand. Hackert also did not research the actual positions of the Russian and Turkish forces during the battle, so the scenes depicted are somewhat fanciful, but do effectively convey drama and destruction of naval warfare.

The East and West Chinese Cabinets were decorated between 1766 and 1769 to exhibit objects of decorative art imported from the East. The walls were decorated with imitation Oriental patterns by Russian craftsmen, and hung with Chinese landscape paintings in yellow and black lacquer. Another room, positioned at the centre of the palace, bears the name of the Picture Hall. Its walls are almost entirely covered by a series of 368 paintings, mostly of variously dressed women, differing in appearance and even age, yet most were drawn from a single model. These were purchased in 1764 from the widow of the Italian artist P. Rotari, who died in St. Petersburg.